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'Posterior To The Khora Monastery Mosaics (Karia Djami) Of 1303 - 10, These Frescoes, By Their Very Expressiveness Surpass Any Other Historical Monuments Discovered, Characteristic Of The Palaeologues Style." - Ouv
"Wall Painting Ensembles, Mosaics And Frescoes, Preserved In Thessalonika's Monuments, Represent Some Of The Major Artistic Trends, That Have Been Developed In Byzantine Monumental Painting From Its Beginnings To Its Culmination Known As The Palaeologan Renaissance (Late Byzantine Period). To This Last Period Belong Significant Monuments Such As The Holy Apostles, The Chapel Of Saint Euthymios In The Church Of Saint Demetrius, Saint Nikolaos Orphanos, Saint Panteleimon, The Transfiguration Of The Saviour, Saint Aikaterini, Prophitis Ilias, The Katholikon (Main Church) Of The Vlatadon Monastery Which Reflect All The Tendencies Of The Palaeologan Renaissance." - Ouv
"Mystras Constitutes A Medieval City Whose Art, The Fruit Of The So-Called Palaeologan Renaissance, Influenced The Development Of Late Byzantine And Post-Byzantine Art. The Beauty Of Its Churches, Which During The Palaeologan Renaissance Were Covered With Magnificent Frescoes, Mystras Is Therefore A Truly Outstanding Example Of Late Byzantine Culture Which Influenced The Rest Of The Mediterranean World And Beyond. " - Ouv
Dečani Monastery - "It Is Also One Of The Most Valued Examples Of The So-Called ‘Palaeologan Renaissance’ In Byzantine Painting." (Ab Ev)
The 14th Century Wall Paintings At Panagia Phorbiotissa, Timios Stavros At Pelendri And St. John Lampadistis Also Display Both Local And Western Influences, And To A Certain Degree, The Revived Art Of Paleologan Constantinople." - Ouv
Chora Church "It Is Mainly Famous For Its Outstanding Late Byzantine Mosaics And Frescos. The Mosaic-Work Is The Finest Example Of The Palaeologian Renaissance." - Wiki